Broadway League Pledges Change Amid National Uproar Over Racism

The Broadway League, a commerce affiliation that’s the closest factor to a governing physique presiding over America’s largest phases, has determined to undertake a sweeping audit of range within the trade in response to the unrest over racial injustice that’s sweeping the nation.

The League, whose members embrace Broadway theater homeowners and producers, in addition to presenters of touring exhibits across the nation, will rent an organization to survey all facets of the trade — onstage, backstage and within the many workplaces that energy the productions, in response to Charlotte St. Martin, the League president and chief government.

She mentioned the League couldn’t mandate participation by different firms and organizations however that its management would strongly encourage all affected entities, together with labor unions and nonprofits that function on Broadway, to cooperate with the researchers.

“I think we have done a good job onstage, and we’ve done a good job with the Tony Awards, but in a lot of our backstage areas we haven’t done as good a job, and if people are frustrated, they have the right to be,” St. Martin mentioned. “We have to change, and we will change.”

Stephen Byrd, a Broadway producer who also serves on the League board, described similar experiences. “When I walk into a general manager’s office, I don’t see anyone like me; when I walk into an audition, I don’t see anyone at the table that looks like me,” he said. “We do need new voices.”

The League is a relatively small trade association — it had 37 employees before the pandemic, and now has 20 — but it is influential because it is the body through which theater owners and producers negotiate labor contracts, interact with government officials and, together with the American Theater Wing, oversee the Tony Awards.

Its existing diversity programs are focused in two areas — work force development, aimed at encouraging and assisting people of color interested in careers in the industry, and audience development, aimed at persuading people of color to become more frequent theater patrons.

But St. Martin said the current discussion about injustice has persuaded the League’s leadership that it needs to do more.

“There’s no question that what we all just experienced has educated us all,” she said. “We have accepted the responsibility to insure that we change the industry through our members.”

Drew Shade, the founder and creative director of Broadway Black, a digital platform highlighting black theater artists working in the industry, welcomed the move, but with a note of caution.

“It sounds like a really great beginning — a first step,” he said. “But the Broadway League has all the power, and it will be interesting to hear how they plan to distribute control and power within the industry. Maybe there’s a conversation to be had about what else they can do.”

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